Creative Chain: Connecting creatives one link at a time, week four

[Emily Potts] Last week we were inspired by three amazing artists: Henning Wagenbreth, Sophie Dutertre and Placid. In keeping with the French artist theme, I’m starting off this week’s Creative Chain with an illustrator I deeply admire and respect.

Furthermore >

Mohawk Show 12: Submit to Your Love Affair With Paper

[Kim Rogala] As the Mohawk Show 12 entry deadline approaches (May 31st, so hurry and enter!) we wanted to direct your attention to the Show’s materials that were created by the team at Tether. We asked Stanley Hainsworth, founder and chief creative officer of Tether, to tell us a little about his thoughts behind the designs.

Furthermore >

Sitting pretty with PLANEfurniture

[Alyson Kuhn] Michael Boyd, designer of the PLANEfurniture line, collects modernist furniture, art, architecture and design books, and ephemera. Last year, he decided to create a line of modernist-inspired furniture that “makes you think, holds your body, eases your mind, and sits well within your budget.” That’s a quote from the jacket flap of PLANEfurniture: types + prototypes, designed by Mick Hodgson of Ph.D, A Design Office. I recently sat in some of the furniture and can confirm that it is quite user-friendly.

Furthermore >

In tribute to the lasting influence of Saul Bass

Saul Bass, who died in 1996, was popularly known for film titles — Vertigo, Psycho, Spartacus, Goodfellas, many others — but he was also an influential figure in the wider world of 20th-century design. The new book Saul Bass: A Life in Film & Design, by Jennifer Bass and Pat Kirkham, published by Laurence King Publishing, is evidence that he continues to be relevant.

From unforgettable titles for films like Anatomy of a Murder and The Man With the Golden Arm to corporate identities, music graphics, magazine illustrations and much more, Saul Bass: A Life in Film & Design makes a convincing argument that his work — and of course that of a few others — defined a sort of American visual style during several decades of the last century. His influence is still very present.

This book features more than 1400 images, many never before published. Design is by his daughter Jennifer Bass with text by the design historian and critic Pat Kirkham. Look for future coverage of this monumental tribute at Felt & Wire. [TB]

Leave a comment