[Emily Potts] Last week we were inspired by three amazing artists: Henning Wagenbreth, Sophie Dutertre and Placid. In keeping with the French artist theme, I’m starting off this week’s Creative Chain with an illustrator I deeply admire and respect.
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[Kim Rogala] As the Mohawk Show 12 entry deadline approaches (May 31st, so hurry and enter!) we wanted to direct your attention to the Show’s materials that were created by the team at Tether. We asked Stanley Hainsworth, founder and chief creative officer of Tether, to tell us a little about his thoughts behind the designs. Furthermore >
05.15.12
[Alyson Kuhn] Michael Boyd, designer of the PLANEfurniture line, collects modernist furniture, art, architecture and design books, and ephemera. Last year, he decided to create a line of modernist-inspired furniture that “makes you think, holds your body, eases your mind, and sits well within your budget.” That’s a quote from the jacket flap of PLANEfurniture: types + prototypes, designed by Mick Hodgson of Ph.D, A Design Office. I recently sat in some of the furniture and can confirm that it is quite user-friendly. Furthermore >
05.14.12
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Nancy Sharon Collins talks engraving at TDC Stationer, typographer, designer, and print historian Nancy Sharon Collins speaks about engraving — “letterpress’ shy sister” — at the Type Directors Club this Thursday, June 16 from 6-8pm.
“Commercial engraving for print has an illustrious history as a vital technique for graphic design and typography,” says Collins. “Engraving is a fluid, free-hand expression restricted only by the perimeter of the surface upon which an engraving is worked. The exquisite beauty and gracefulness of arcs and shading inherent in the engraved line is unparalleled. For centuries prior to the digital age, engraving was the dominant methodology for teaching and innovation in lettering, and especially for calligraphy.” More information about her upcoming talk here. Image: © Richard D. Sheaff. [SJ]
06.13.11
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Wish I could attend!