[Emily Potts] Last week we were inspired by three amazing artists: Henning Wagenbreth, Sophie Dutertre and Placid. In keeping with the French artist theme, I’m starting off this week’s Creative Chain with an illustrator I deeply admire and respect.
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[Kim Rogala] As the Mohawk Show 12 entry deadline approaches (May 31st, so hurry and enter!) we wanted to direct your attention to the Show’s materials that were created by the team at Tether. We asked Stanley Hainsworth, founder and chief creative officer of Tether, to tell us a little about his thoughts behind the designs. Furthermore >
05.15.12
[Alyson Kuhn] Michael Boyd, designer of the PLANEfurniture line, collects modernist furniture, art, architecture and design books, and ephemera. Last year, he decided to create a line of modernist-inspired furniture that “makes you think, holds your body, eases your mind, and sits well within your budget.” That’s a quote from the jacket flap of PLANEfurniture: types + prototypes, designed by Mick Hodgson of Ph.D, A Design Office. I recently sat in some of the furniture and can confirm that it is quite user-friendly. Furthermore >
05.14.12
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Joanna Neborsky’s “Three-Line Novels”: Extra-strength weirdness & wit A century ago Félix Fénéon, variously described as a “suspected terrorist, art-world tastemaker and literary instigator,” wrote a series of strange and wonderful miniature narratives for the Paris newspaper Le Matin. Now the artist Joanna Neborsky has illustrated 28 of them in her new book Illustrated Three-Line Novels: Félix Fénéon, to engrossing and often hilarious effect. Feneon’s compressed tales seem weirdly, even preternaturally, appropriate for our time, given our information-jaded, nano-second attention spans. And the topics of Fénéon’s fait-divers — clumsy criminals, unfortunate athletes and tawdry tableaux — are the very essence of early 21st-century irony. Mixing collage and drawing to illustrate Fénéon’s stories, Neborsky intensifies their mordant surrealism with touches of her own visual wit. Asked about her sources of inspiration, she replies, “I start with image research. Early 20th-century French photography is a feast for the collage artist — I found more charmingly pantaloon-ed bicyclists than I knew what to do with. I maintain a very messy desk, where surprising accidents do occur; I make a point of welcoming them. I work very hard to imitate my heroes — Steinberg, Gorey, Massin — in their looseness of hand and still-fresh approaches to storytelling. And I try to create Dada-ist imagery with a coherent sort of nonsense. And color! Lots and lots of color.” Illustrated Three-Line Novels: Félix Fénéon is available at Amazon.com. Visit Joanna Neborsky’s site to see more of her work. [TB]
10.26.10
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Fabulous! Can’t wait to see the whole book.