Choose to re-use: Look at Chronicle Books

[Alyson Kuhn] Three years ago today — April 1, 2007, no foolin’— Chronicle Books moved into a former warehouse that, in its original life, was a machine shop servicing ships in San Francisco Bay, just up the block. Two gantry cranes from that era still remain in the lobby. Chronicle’s commitment to creative re-use is manifest on every floor, in many a drawer and many a bin.

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Daily art nutrition at ArtistADay.com

The mission of Artist A Day is to raise awareness of art globally and to bring more art to more people. This brainchild of Dave Pitman and Geoff Pitchford seems to be working. Here we have happily discovered talent like cardboard connoisseur Mark Langan and photographer Eric Johansson.
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Graphics Gone Green: Sustainable message, sustainable form

Technologies like print on demand and e-books are altering the business environment for publishers and authors. The new book Graphics Gone Green demonstrates the intersection of technology and sustainable design, and it does so in a multiformat package designers will find intriguing and ultimately practical.

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Kate’s offers new paper flowers … & free online help to make your own

Always in step with the season, Kate’s Paperie, the NYC-based emporium of all things paperfully wonderful, is rolling out a new line of paper flowers. These exquisite paper creations range in price from $25–200. And for those more craftily ambitious or budget-limited, Kate’s will be hosting classes at its five locations on how to make these flowers yourself.

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Ethel Kessler expresses on new Abstract Expressionist stamps

[Alyson Kuhn] Ethel Kessler is the art director for the Abstract Expressionist stamps issued by the USPS a couple of weeks ago. The stamps are making quite a splash, in the post office and in the press. I asked Kessler about the design considerations behind this über-innovative sheet, in which ten original artworks are depicted proportionally on variously-sized stamps.

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Studio Insider: Cummings & Good

A powerful sense of place imbues the practice of Peter Good and Jan Cummings with creative energy. One glimpse of their surroundings in Chester, Conn., gives insights into why their graphic design work, whether for Fortune 500 or local clients, is both personal and timeless. In this installment of our continuing Studio Insider series, they talk about how their studio informs their love of fashion and great graphic design.

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