Fresh from the Carmel Bach Festival: A pen for your thoughts

[Alyson Kuhn] The first event I attended at the 73rd annual Carmel Bach Festival was a one-hour lecture by singer/teacher/raconteur David Gordon preceding a performance of the St. Matthew Passion (1727). Gordon is indeed passionate about this subject, and his talk was not only brilliant but surprisingly, well, Alysonian. When I told my friend Vinz about it afterwards, he deadpanned, “Did he know you were going to the lecture?” Drole.

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In the pressroom: Printing John Madere’s photographs at Sandy Alexander

[Lynda Decker] I’ve been working with uncoated paper for the last 10 years — for almost every project in my studio, including annual reports full of photography. I’m quite excited to have rediscovered Kromekote. It boggles my mind to say this: The surface of Kromekote is so glossy, but it behaves like an uncoated sheet.

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Marian Bantjes: 3 questions by Sean Adams

[Sean Adams] In disaster movies, characters create tight bonds amidst burning skyscrapers, airplane crashes or earth-crust displacement. I formed a bond like this with Marian Bantjes when we both faced down a charging rhino in Africa. Really. This is a true story. Obviously, Marian is incredibly talented. She does work that, to me, is beyond the limits of human beings. And that’s all swell. But she has the most infectious and wonderful laugh you will ever hear.

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Significant Objects

[Laura Shore] Our friend Debbie Millman had me at “bad, bad, bad.” Check out Millman’s story of a globe paperweight, the mysterious Susan and the really cool thought experiment Significant Objects … in which you can participate by searching for other significant objects on ebay.

On her blog, Millman explains that the Significant Objects experiment works like this: Invite a writer to invent a story about an object. Invested with new significance by this fiction, the object should — based on the organizers’ hypothesis — acquire not merely subjective but objective value. The object is sold on ebay to test the hypothesis. Millman’s own fiction about a globe paperweight is a wryly written, thought-provoking example of how the process works.

The paperweight in Millman’s story sold for $197.50 (no word on how “Susan” reacted to the letter). Proceeds from Significant Objects benefit 826 National, a nonprofit tutoring, writing and publishing organization with locations in eight cities across the country.

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