[Ted Bertz] After recently finishing a personal project, a book commemorating posters completed from 1987 to 2008 for an agricultural fair held each year in Durham, Conn. — Fair Play: Twenty-three years of Durham Fair Posters — Ted Bertz, founder of Bertz Design Group, reflects on the evolution of the graphic design industry over the same period.
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[Alyson Kuhn] Rachel Hazell is a book artist and have-punch-will-travel teacher of book arts. London-born Hazell, who currently lives in Edinburgh, has grand plans for 2012. She is scheduling a bookbinding workshop in a different part of the world each month. January’s was in Hebden Bridge, Yorkshire; March’s will be on the Summer Isles in Northwest Scotland. And February’s — aptly titled Colour of Love — begins today in the Napa Valley. I’ll be right there — writing about paper engineering, stitching and all things Valentinear. Furthermore >
02.02.12
[Tom Biederbeck] Lucky Peach magazine has serious (and seriously funny) writing about food, lavish original illustrations, swell diversions and inserts (issue #2 has a sheet of parody fruit stickers), no online content, no advertising (well, very little) and curious art direction choices (on its cover, issue #1 displayed the south end of a northbound chicken). And it’s wildly successful. Furthermore >
02.01.12
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So Noted: Letterpress Love [Tracy Smith] A recent post on The Moment, the NY Times blog, caught my attention: Fine Print: A Love Letter to the Letterpress. Author Joshua David Stein defines the resurgence of letterpress printers as “the New Old Media: young men and women who fight against the Kindle tide with small presses and handmade fonts.” The article about the Hermitage, a bookstore/gallery/press, recently relocating back to Brooklyn is further evidence that the New York City borough has become the center of the handmade movement.
12.3.09
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