On the wire: Chandra Greer visits one-of-a-kind Campbell Raw Press

[Chandra Greer] Campbell Raw Press is a design studio run by Maggie Campbell and her husband Matt Raw out of their Brooklyn home. Maggie creates beautiful hand-bound books as well as letterpress cards and invitations. She’s the mother of a darling little girl who inspires her every day. And she inspires us with her meticulous talent, positive energy and ability to juggle a million things while always keeping her family at the top of the list.

Furthermore >

Ted Bertz: Posterized impressions from the Durham Fair

[Ted Bertz] After recently finishing a personal project, a book commemorating posters completed from 1987 to 2008 for an agricultural fair held each year in Durham, Conn. — Fair Play: Twenty-three years of Durham Fair Posters — Ted Bertz, founder of Bertz Design Group, reflects on the evolution of the graphic design industry over the same period.

Furthermore >

Rachel Hazell, The Travelling Bookbinder, crosses the Pond

[Alyson Kuhn] Rachel Hazell is a book artist and have-punch-will-travel teacher of book arts. London-born Hazell, who currently lives in Edinburgh, has grand plans for 2012. She is scheduling a bookbinding workshop in a different part of the world each month. January’s was in Hebden Bridge, Yorkshire; March’s will be on the Summer Isles in Northwest Scotland. And February’s — aptly titled Colour of Love — begins today in the Napa Valley. I’ll be right there — writing about paper engineering, stitching and all things Valentinear.

Furthermore >

Slash: Paper Under the Knife

[Laura Shore] Slash: Paper Under the Knife just opened at the Museum of Art and Design in New York. This new exhibit takes the pulse of the international art world’s renewed interest in paper. Here, paper is presented as its own creative medium and source of artistic inspiration, in a wonderfully diverse range of art forms.

Slash is the third exhibition in MAD’s Materials and Process series, which examines the renaissance of traditional handcraft materials and techniques in contemporary art and design. The exhibition surveys unusual paper treatments, including works that are burned, torn, cut by lasers, and shredded. One section of the exhibition focuses on artists who modify books to transform them into sculpture; another highlights the use of cut paper for film and video animations.

The work in the exhibit is inventive, provocative and inspiring to the paper-obsessed. Whether or not you can make it to New York before April 4, 2010, check out the MAD website. You’ll find images, a video of exhibit highlights by chief curator David Revere McFadden – and an invitation to submit artwork for a cut paper animation film festival.

Image: Artist: Andreas Kocks, Paperwork #701G, 2007, Photo: Christoph Knoch

Leave a comment