Ted Bertz: Posterized impressions from the Durham Fair

[Ted Bertz] After recently finishing a personal project, a book commemorating posters completed from 1987 to 2008 for an agricultural fair held each year in Durham, Conn. — Fair Play: Twenty-three years of Durham Fair Posters — Ted Bertz, founder of Bertz Design Group, reflects on the evolution of the graphic design industry over the same period.

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Rachel Hazell, The Travelling Bookbinder, crosses the Pond

[Alyson Kuhn] Rachel Hazell is a book artist and have-punch-will-travel teacher of book arts. London-born Hazell, who currently lives in Edinburgh, has grand plans for 2012. She is scheduling a bookbinding workshop in a different part of the world each month. January’s was in Hebden Bridge, Yorkshire; March’s will be on the Summer Isles in Northwest Scotland. And February’s — aptly titled Colour of Love — begins today in the Napa Valley. I’ll be right there — writing about paper engineering, stitching and all things Valentinear.

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Food, in print: Appreciating Lucky Peach

[Tom Biederbeck] Lucky Peach magazine has serious (and seriously funny) writing about food, lavish original illustrations, swell diversions and inserts (issue #2 has a sheet of parody fruit stickers), no online content, no advertising (well, very little) and curious art direction choices (on its cover, issue #1 displayed the south end of a northbound chicken). And it’s wildly successful.

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www.letteroffdead.com

[Alyson Kuhn] At 7 am yesterday {September 1}, Tom Llewellyn launched his newest project: a book via blog. Letter Off Dead is a correspondence between a boy starting junior high school and his dad, who is dead. Tom is a copywriter, creative director and corporate lackey by day and the “writer half” of Beautiful Angle, an amazing on-going letterpress poster project he started in 2002 with his friend and colleague designer Lance Kagey.

Tom is also an aspiring writer of adolescent novels. He comments, “The book publication process is so long – I have a deal in the works, but I’ve thought about trying to do a blog that gets an immediate connection with the audience. That’s what’s so great about Beautiful Angle. There’s no middleman, no delay. It democratizes the process.”

“Trevor, the letter-writing 12-year-old, is autobiographical. His father died when he was five, as my own father did. My first year of junior high was the toughest time in my life. I think kids of this age long for honesty, for honest feedback. For Trevor, these letters are an outlet where he can honestly express his feelings and observations. He can also explore his ideas about an afterlife.”

“So, this is a serialized writing experiment. I haven’t written too far in advance. The correspondence will need daily-ish entries for it to work.” Trevor’s father will start writing back in a couple of weeks, and there will be occasional visuals – from the characters, not from Tom.

More than 600 of Tom’s friends and fans have accepted his e-vitation to “start eavesdropping on a different conversation.” I loved the first two posts.

Alyson Kuhn, the editor of Felt & Wire, proclaims epistolary the adjective of our day.

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