Destination GAIN: Where Stanley Hainsworth’s heading for (re)invention

[Stanley Hainsworth] When Kenna Kay and I were asked to co-chair the 2010 AIGA GAIN conference, we looked at ourselves and said, “As fellow designers let’s ensure this conference will be something people will anticipate with excitement, experience irresistibly, and walk away from inspired, motivated and determined to make some changes.”

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Step inside the studio of designer Keith Scharwath & writer Alissa Walker

[Alissa Walker & Keith Scharwath] Our Los Angeles studio doesn’t have a name or its own letterhead, but it’s unique because it’s occupied by two people who live together and happen to do complementary things: Alissa is a design writer and Keith is a graphic artist and art director. So we don’t necessarily work together, it’s more like we work alongside each other. It’s nice to have someone just over your shoulder to ask how to phrase something or get feedback on color choices from someone who understands what you’re talking about. We are definitely inspired and influenced by what the other person is working on. Sometimes we update our Twitter accounts about the same things simultaneously.

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Small-but-mighty Smart & Wiley: Renewing the past with timeless design

Drawing inspiration from their collection of 19th and 20th century wood and metal type, borders, ornaments and printing presses, Smart & Wiley crafts fine contemporary print goods with a wink and a nod to the past.

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So Noted: In search of monograms

[Laura Shore] Nancy Sharon Collins is a designer, a design historian, and a social stationer. She has recently begun a research project about hand engraving, monograms, and social stationery. We’ve offered to spread the word, which is: “I am looking for interesting, kitschy, handsome or elegant engraved stationery, preferably social stationery {letters and notes}, with or without writing on them. The older the better.” Here’s a tiny taste of what Nancy has already collected.

Nancy’s sole criterion is engraving: “The ink is raised on the front with a bruise or indentation on the back, which is how to tell real engraving.” She is seeking actual pieces, not photos. If you have some to lend or give, kindly contact her directly for mailing particulars. She is nscstationer@earthlink.net. Nancy adds, “If your piece is chosen, we will need a legal release to digitize and publish your submission.”

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