[Ted Bertz] After recently finishing a personal project, a book commemorating posters completed from 1987 to 2008 for an agricultural fair held each year in Durham, Conn. — Fair Play: Twenty-three years of Durham Fair Posters — Ted Bertz, founder of Bertz Design Group, reflects on the evolution of the graphic design industry over the same period.
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[Alyson Kuhn] Rachel Hazell is a book artist and have-punch-will-travel teacher of book arts. London-born Hazell, who currently lives in Edinburgh, has grand plans for 2012. She is scheduling a bookbinding workshop in a different part of the world each month. January’s was in Hebden Bridge, Yorkshire; March’s will be on the Summer Isles in Northwest Scotland. And February’s — aptly titled Colour of Love — begins today in the Napa Valley. I’ll be right there — writing about paper engineering, stitching and all things Valentinear. Furthermore >
02.02.12
[Tom Biederbeck] Lucky Peach magazine has serious (and seriously funny) writing about food, lavish original illustrations, swell diversions and inserts (issue #2 has a sheet of parody fruit stickers), no online content, no advertising (well, very little) and curious art direction choices (on its cover, issue #1 displayed the south end of a northbound chicken). And it’s wildly successful. Furthermore >
02.01.12
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Reflections on receipts [Alyson Kuhn] On Memorial Day 2002, I was semi-sequestered in NYC, writing the first half {Paper} of the SpecLogix Compendium of Paper and Printing. I wandered downstairs for lunch at a Frenchy café… and overheard one of the young men at the adjacent table animatedly tell the other about something he had recently read, about receipts and how much context they provide. As a keeper of receipts of interest, I needed to know more, and fast, since my neighbors were almost done with lunch. The book turned out to be Scrolling Forward: Making Sense of Documents in the Digital Age, by David M. Levy, which I promptly purchased. The entire book – from Preface, through eleven chapters, to Notes – is fairly fascinating. But my favorite remains the first chapter, “Meditation on a Receipt.” Receipts are – for the most part – the most humble of documents in terms of paper and production. But even the scruffiest can be so evocative, so reminiscence-rich. Other tiny bits of paper can also carry more than their weight in memories – maybe they are the worker ants of the ephemera world! Think of a fortune… or a postage stamp… or a sticky-note… I keep a file folder for Arty Receipts, including those shown here. Another favorite is the three-page computer-printout itemizing my purchases at the Mokuba ribbon store in Paris on April 19, 2002 {when a Euro only cost 90¢}. And a glassine envelope with my ticket stub from the Paramount Theatre in Seattle for Alvin Ailey American Dance Theatre {January 29, 1997}. With the ticket stub I keep the business card of Jerry, the Chauffeur Concierge at my hotel, who arranged for both my theatre ticket and the plate of cookies waiting for me in my room after the performance. His handwritten message on the card reads It’s a pleasure to serve you – Jerry.
07.29.09
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I treasure my ticket stub from seeing the Alvin Ailey Company in Chicago in 1973….and my saved receipts for simple meals written in Greek, or Italian, or Japanese. I will take a look at this book…thank you!
a few years ago i picked up an amazing book called ‘carouschka’s tickets’, a feast of wonderful examples. now sadly out of print though:
http://www.stylefeeder.com/i/l5pqfrdn/Carouschka-Apos-S-Tickets-By-Carouschka-Streijffert-Paperback