Ted Bertz: Posterized impressions from the Durham Fair

[Ted Bertz] After recently finishing a personal project, a book commemorating posters completed from 1987 to 2008 for an agricultural fair held each year in Durham, Conn. — Fair Play: Twenty-three years of Durham Fair Posters — Ted Bertz, founder of Bertz Design Group, reflects on the evolution of the graphic design industry over the same period.

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Rachel Hazell, The Travelling Bookbinder, crosses the Pond

[Alyson Kuhn] Rachel Hazell is a book artist and have-punch-will-travel teacher of book arts. London-born Hazell, who currently lives in Edinburgh, has grand plans for 2012. She is scheduling a bookbinding workshop in a different part of the world each month. January’s was in Hebden Bridge, Yorkshire; March’s will be on the Summer Isles in Northwest Scotland. And February’s — aptly titled Colour of Love — begins today in the Napa Valley. I’ll be right there — writing about paper engineering, stitching and all things Valentinear.

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Food, in print: Appreciating Lucky Peach

[Tom Biederbeck] Lucky Peach magazine has serious (and seriously funny) writing about food, lavish original illustrations, swell diversions and inserts (issue #2 has a sheet of parody fruit stickers), no online content, no advertising (well, very little) and curious art direction choices (on its cover, issue #1 displayed the south end of a northbound chicken). And it’s wildly successful.

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Bon mots from Bell’occhio

[Alyson Kuhn] Bell’occhio, whose last three syllables are the same as Pinocchio, is greater than the sumptuousness of its parts: an exquisite shop, a simple-yet-superb website, and gift presentations that have charmed recipients for over 20 years now. Bell’occhio gets lots of great press for its whimsy, but I want to show you some of its wit.

Proprietress Claudia Schwartz and calligrapher Wendy Cook are wordmistresses as well. They regularly put their heads {which often have wonderful ribbons around them} together to craft clever ephemera. Bell’occhio’s offset-printed calling card features minimal information, incomparable calligraphy and a couple of superlative swooshes. The motto: Ars longa, Vita brevis.

Postcards for Bell’occhio sales are divine. One is a rebus which begins {bell} {oak} {key} {Oh!} {sail}…. Another is très gai and très J, promising “Jaunty merchandise! Jovial staff! Jubilant savings!” With a jackelope named Jacquie on the front. On the back, he says, “Jack-up your joie de vivre at our January Jettison Jamboree.” And the pleasing prospect of personal service: “It will be over in a jiffy… but give us a jingle if you’re unable to join us, and we’ll joyfully assist you by phone. No joke.”

{The red tag is tinier than a postage stamp, using less paper than a fortune! Mini-type in the upper-right reads: REF A-02. Those French.}

I have kept every single thing Bell’occhio has ever sent me {except for the blue envelope below, which I donated to the Alphabetilately exhibition currently at the Smithsonian National Postal Museum, as a contemporary advertising cover}. The postage stamp showcases actual merchandise – the shop’s signature boxes covered in bird’s-eye-view of Paris paper. The inimitable invoice itself is still in my collection.

A recent feature in TMagazine online includes a delightful dozen little images that you can click on to read tidy snippets about some of Claudia’s favorite finds and fancies. Bell’occhio’s own website is as wondrous as falling down the rabbit hole. Bon voyage!

Photo credit: 5 – Michael Osborne.

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